La Beauté Louis Vuitton embodies these qualities. The new category, created in collaboration with legendary makeup artist Pat McGrath, pushes past the boundaries of what it means to launch a luxury beauty line. And it makes perfect sense. Since 1854, Louis Vuitton has been focused on exquisite craftsmanship. With origins in trunk creation, the house has always paid close attention to beauty. Even then, the trunks were created with cushiony insides to protect fine fragrance on long trips. They invented the modern vanity case alongside other beauty objets: tortoiseshell hair brushes, ivory mirrors and compacts. 

1/2    Lips defined with LOUIS VUITTON LV ROUGE Matte 105 Nude Necessaire, creating subtle depth and dimension. 

Now, La Beauté reimagines this in a modern sense. The curation includes 55 lipstick shades of LV Rouge (55 being a nod to LV as a Roman numeral), 10 shades of LV Baume, eight shades of LV Ombres and additional beauty accessories including cases, blotting papers and brushes. 

The jewel in the crown is LV Ombres, an exceptionally beautiful eyeshadow palette. Each contains four shades, three designed for easy wearability and the fourth to surprise and delight. Like pressed cashmere, they wash the eyes with beautiful pigment – “bold, intentional and made to be remembered,” muses McGrath. 

SHOP LOUIS VUITTON BEAUTY

Louis Vuitton La Beauté LV Ombres Eyeshadow Palette

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LOUIS VUITTON La Beauté LV Baume

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LOUIS VUITTON La Beauté Mattifying Paper Case

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LOUIS VUITTON Cosmetic Pouch MM

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SHOP LOUIS VUITTON BEAUTY

Louis Vuitton La Beauté LV Ombres Eyeshadow Palette

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LOUIS VUITTON La Beauté LV Baume

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LOUIS VUITTON La Beauté Mattifying Paper Case

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LOUIS VUITTON Cosmetic Pouch MM

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The palette itself is a keepsake – refillable and designed by industrial furniture designer Konstantin Grcic, it draws on the golden ring motif, a well-known LV house code. Made of aluminium and brass, it’s heavy but sleek; a weighty compact that looks and feels like a little piece of art. 

1/3   LOUIS VUITTON Lip and Eye brush set. 

LV Rouge provides a lip gesture in two finishes: satin and matte. The shade range is vast: soft nude through to bold red, rich fuchsia and deep berry. Enriched with up-cycled rose, jasmine and mimosa flower waxes, plus shea butter and hyaluronic acid, the formula is hydrating and supremely comfortable. If the preference is sheer colour, LV Baume affords rich hydration and lip-enhancing pigment.

The bullets are also infinitely refillable, and carry a custom scent. Designed by Louis Vuitton in-house perfumer Jacques Cavellier Belletrud, the note profiles are inspired by flowers used in the personal perfume metier, Les Fontaines Parfumées. “Creating fragrance for a lipstick is a completely different challenge than for skin. The scent sits much closer to the wearer’s nose, so it must be delicate yet expressive, something that seduces first the wearer herself before anyone else,” Belletrud explains. “We were inspired by classic lipstick scents of the past, but I wanted to break that tradition to offer something truly modern and immersive, rooted in Louis Vuitton’s codes of excellence. We used flowers native to Grasse: mimosa, jasmine, rose.” 

1/2   A study in classic allure – lips painted in LOUIS VUITTON LV ROUGE Matte 854 Rouge Louis, a bold, velvety red that elevates the pared-back skin to iconic elegance. 

In line with Vuitton’s history, La Beauté also includes a number of accompanying accessories: blotting papers in leather notebooks, vanity cases designed exclusively to hold your lipstick. It’s beauty but it’s also accessory – collectables and keepsakes designed to last. 

And with Pat McGrath as the creative director, arguably the most decorated makeup artist in the world, it’s everything you’d dream of from a luxury house: brilliant colour, unexpected details, wearability, longevity, wonderful textures and finishes. To hold it and to wear it is to know that’s it’s precious.

1/2   Skin is kept luminous and fresh, while lips command attention in LOUIS VUITTON LV Rouge Satin 400 Nebula – a statement plum that feels both modern and timeless. 

Louis Vuitton La Beauté is available on the Louis Vuitton website, as well as in selected Louis Vuitton boutiques. 

PHOTOGRAPHY Sam ArmstrongFASHION Hannah CooperMODELS Bakhita Lual @ Merci Management,Lily Hallgathjolly @ Priscillas, Sherry Lin @ The ScoutedHAIR Darren Summors @ AP—REPSMAKEUP Katie Angus @ AP—REPSPHOTOGRAPHER’S ASSISTANT Remy Mitchell JamesSTYLIST’S ASSISTANT Koby Dulac-DaleyCREATIVE STUDIO & CAMPAIGNS MANAGER Olivia Repaci

The post Louis Vuitton’s La Beauté is redefining the art of luxury appeared first on RUSSH.

To help inspire your own looks, CHANEL makeup artist Victoria Baron shares her interpretation of the collection, and some advice for easy application at home.

Firstly, what’s your favourite piece in the holiday collection?

The Rouge Allure L’Extrait lipsticks. I’ve always loved lipstick for the way it can transform how you feel. They’re the most multi-functional product in a handbag; easy to apply and great for a quick pop of colour on the cheeks or even the eyes.

I love a bold party makeup look, but have a hard time approaching colour. What are your best tips for integrating pigment in a way that’s foolproof?

What I love most about the CHANEL Holiday Collection, is the variety of colours and textures and how they allow different ways for light to play on your skin.

Colour can definitely feel intimidating and it’s easy to worry about getting it wrong. My best advice is to start small and choose a couple of products from the same makeup collection. These products are designed to work together; so a lot of the guesswork is already done for you. It can even be as simple as a nail polish. CHANEL Le Vernis in Charmer is an understated way to ease into colour. From there, you can explore a bright lipstick or an eyeshadow softly dusted over the lid.

Another option is swapping out your usual black or brown liner for something more adventurous, like Le Liner de CHANEL in Brun Feu or Prune Mystérieux. Small changes like these can help you embrace colour in a way that feels approachable and fun.

Talk to me about eye makeup specifically; what are some applications tips you can share?

I always start with proper skin prep. If you’re planning longevity, it’s essential to ensure your eyelids are clean and free of any residue or oil. I like to use CHANEL L’Eau Micellaire to create a fresh canvas. If your eyelids have any discolouration, you can lightly sweep a bit of leftover foundation from your brush onto them and set it with a light dusting of powder.

Next, I take an eyeshadow brush (or my finger) and use one of the shades from the CHANEL Enchanted Night Les 4 Ombre Eyeshadow and Blush Palette. Start close to the lash line, as this is where the most intense colour will go, and blend upwards into the socket. Bright colours are most vibrant where you initially place the brush, so I always focus on the lash line first before blending out.

For more depth, I like to apply a liner along the lash line—it can be kept sharp for definition or blended slightly for a softer look. The beauty of this palette is its versatility; you can use one colour or mix several, depending on your mood. For example, try a copper shade on the lid, blend a deep purple at the outer corner and along the lower lash line, and add a soft pink through the socket for dimension.

Finish by curling your lashes and applying mascara. If you prefer a more minimal look, keep the lids bare and press the silver shade across the lid for a subtle yet, festive touch.

What about a bold lip?

I’ve always loved a bold lip. Chanel Rouge Allure L’Extrait has a highly pigmented formula and smaller bullet which makes it easy to apply. Start at the cupid’s bow and work outward to the corners of the mouth, then from the corners back toward the center. For extra impact, blot with a tissue and add a second layer. Apply leftover colour to the cheeks for a natural flush.

I also recommend keeping cotton tips and CHANEL L’Eau Micellaire handy to clean up edges or fix small mistakes.

And luminous skin?

Luminous skin is effortless with this collection but it can be overdone! It’s important to choose where you want the shine and what overall texture you want to achieve. The CHANEL Diamond Dust Illuminating Powder is perfect for this — it has unique pink and gold undertones that can be applied on the tops of the cheeks, the bridge of the nose, eyelids and under the brow. You can even lightly dust it on the décolletage for a subtle glow.

When applying, use a brush and focus sweeping the product across the skin rather than flicking it, as iridescent powders can scatter, if overworked. This technique ensures a soft, glowing finish without too much fall out.

Can you share your best advice for skin preparation underneath a bold makeup look?

As mentioned earlier; skin preparation is essential, whether you’re going for a bold or natural makeup look—it sets the stage for everything else. Start with a double cleanse: the first removes surface impurities, and the second ensures a deeper clean so your skincare products can absorb effectively.

Follow with a serum, like the N°1 de CHANEL Revitalizing Serum, which hydrates and refreshes the skin. Next, apply a moisturiser suited to your skin type, taking time to massage it in for full absorption. I also recommend exfoliating the lips with a flannel and applying lip balm to ensure they’re smooth and hydrated ready for lipstick.

Before makeup, remove any oily residue from the eyelids. Hydrated and well-prepared skin will ensure your makeup applies easily and lasts longer.

Finally, what’s a fail-safe party makeup look you always fall back on?

Party makeup for me is always about choosing a feature to focus on and working from there. My go-to look often starts with a lipstick, which is an easy and impactful way to feel instantly dressed up. A fun or unexpected shade—something outside your everyday routine—can completely transform your mood and make you feel party-ready.

If I’m focusing on the eyes, I love adding colour or shimmering products to reflect light. Once I’ve chosen the feature I want to highlight, I work backwards. For a bold lip, I’ll pick the lipstick first and then keep the eyes softer, to complement. For a statement eye, I’ll start with the eye shades and let them guide the rest of the look.

To me, party makeup is about finding the balance between boldness and fun, whilst still staying authentic to who you are. It’s about pushing the boundaries but feeling your best while you’re doing it—keeping the look effortless and carefree.

SHOP THE EDIT

Rouge Allure L’Extrait Lipstick

Diamond Dust Illuminating Powder

Enchanted Night Les 4 Ombre Eyeshadow and Blush Palette

CHANEL Le Vernis

Le Liner de CHANEL

The post Stars in your eyes: let CHANEL Beauty inspire you this party season appeared first on RUSSH.

Inspired largely by the intersections of fashion and beauty, as well as the natural world around him (Van Noten is an avid gardener), Dries Van Noten Beauty is both unusual and unbelievable. The scents are largely genderless, each composed by a different perfumer. Flowers are a common theme – many of which can be found in Van Noten’s rambling Antwerp estate – but there’s nothing pedestrian about the way notes are paired and played with. And then there are the lipsticks. Painstakingly formulated to resemble the tactility of textiles (soft, sheer, fuzzy, powdery), each shade pushes the boundaries of colour. They’re very wearable, comfortable – thanks to a nourishing ingredient profile – and bold. Each is subtly scented and comes wrapped in an incongruous DVN bullet (refillable, of course).

To mark the Australian launch into MECCA, Van Noten spoke exclusively to RUSSH about his thoughts on beauty, lipstick design and the emotiveness of it all.

Let’s start with fashion. What was your early relationship with clothing like?

My family had been involved in fashion and the garment business for generations. My Father created one of Belgium’s most innovative retailers, ‘Prêt-à-Porter’, and my Grandfather was a tailor. I inherited my love for garment making, along with its traditions and rituals, from these men and my Mother.

My family was very supportive and encouraged me to continue this fashion legacy. I regularly accompanied my parents on their buying trips to Paris and Milan for collections. They envisioned me taking over the retail business; my desire to become a fashion designer actually came as a great surprise.

You studied at the Antwerp Royal Academy of Fine Arts, a place known for nurturing world-class creatives. How did it shape your approach to design?

The city of Antwerp is imbued with a unique creative tension, and Belgium, as a whole, reflects this spirit of experimentation rooted in its historical and geographical context. I draw from this duality in my creations, and living in Belgium has provided me with a distinct perspective on many aspects of design.

Once I complete a collection, returning to Antwerp allows me to view the fashion scene from a healthy distance, as well. The Belgian ethos of experimentation, combined with a strong artistic foundation, encourages us to see clothing not merely as objects but as attitudes and expressions. The Royal Academy instilled this mindset in us, empowering us to break from tradition. We emerged from the academy filled with energy and a desire to forge our own paths, often without financial backers. This independence was a defining characteristic in my journey.

You recently stepped away from your eponymous label after 120 shows, much to industry heartbreak… How are you feeling about it all now?

I’m very happy. It was the right decision, even though it came with emotional ups and downs. I’m spending more time at our house in Italy. I’ve also decided to focus on reading. Throughout my life, I’ve accumulated a large library of books, but I’ve never had the time to read most of them. Now, I plan to dedicate myself to that, if I can find some extra time, as I’m still connected with the company. I’m not completely closing the door; I still have an advisory role with beauty and a few other projects.

On beauty, tell me about translating your fashion brand into that universe; what was the creative approach?

Having done more than 120 fashion shows and photoshoots, beauty is something I’ve worked with for a long time. I discuss beauty at least four times a year for our shows, so I understand its power – whether it’s the lips, the eyes, or the entire look. It has always been a crucial part of my overall vision. Signing with Puig gave me an exciting opportunity to create perfumes and expand into makeup. However, I was very conscious of the need to introduce something distinctive in an already saturated beauty market. The question was – what could I innovate beyond what was already available?

For the perfumes, I wanted to create a clash of unexpected ingredients. When I met with the perfumers, I asked them to forget everything they knew about traditional perfumery. Sometimes, to create something truly new, you need to step back and approach it from a different perspective. It was essential that they dared to combine ingredients in unconventional ways, just as I often combine colours, prints, or atmospheres in fashion that seemingly have nothing in common –like sportswear with couture.

For the lipsticks, the goal was to find wearable shades – not strange or avant-garde colours – but rather familiar shades with added intensity. I focused on enhancing these colours, making them a bit brighter or more powdery, it was a fascinating process. This approach reflected my creative vision in fashion: eclectic, with inspiration coming from many angles.

The scents are very unique. What was the dialogue like with the perfumers you collaborated with?

Just as I don’t design my collections for one individual, but for a variety of people of different ages, sizes, genders, and styles, I approached the perfumes with the same logic. I didn’t want to impose a single scent, just as I don’t impose a specific silhouette. I wanted to create a broad olfactory spectrum where everyone could find something that resonates with them. When I met with the noses, I asked them to be daring. The entire process, from concept to craftsmanship and manufacturing, took nearly four years to develop. I am very happy with the final result. The packaging is incredible and a beautiful reflection of DVN House codes… We explored unexpected juxtapositions of materials, patterns, and textures to celebrate both craftsmanship and industrial innovation. Each bottle combines two elements and reflects the fragrance it contains. The tops are made of opaque or transparent glass, while the bases feature a range of materials, including metal, ceramic, hand-painted porcelain, and even wood.

What DVN scent do you connect to the most intimately?

I’m not the type of person to stick to just one scent; it really depends on where I am and whether it’s summer or winter. At the moment, I really like Crazy Basil, although before that, my favourite was Mystic Moss. I also enjoy combining perfumes or layering them with EDTs (the lighter ones) to create a stronger effect. Some of my favorite combinations are Bitter Splash with Mystic Moss, Bitter Splash with Crazy Basil, and Crazy Basil with Jardin de Orangeries, which adds more contrast to the basil.

I love experimenting. To me, there are no rules – you can discover for yourself what you like to mix.

You’ve spoken about lipstick and how the way you approached it was comparable to how you work with fabric. Tell me more about this…

Colour is my passion. It’s how I express my perspective and creativity, so it was exciting to push the boundaries with lipstick shades. First, we focused on perfecting the textures and ensuring the lipstick felt right on the lips. The scent was equally important – we used organic Rosehip Oil and organic Shea Butter, not just for their nourishing qualities, but also for the subtle, natural fragrance they provide. Once we had the texture and scent in place, we experimented with bold colours like tomato red and plastic pink, seeing how far we could push each idea.

What is your earliest beauty-related memory?

My earliest memories of beauty are tied to many different experiences. I use all my senses to observe the world and experience life. As a child, I loved running around the garden, inhaling the scent of flowers, and exploring the kitchen to catch the aromas of whatever was cooking in the oven. However, my first specific memory of fragrance is of my Mother coming down the stairs wearing Shalimar. That scent signaled that she was going out, whether to the opera or the theatre. The house often smelled of Shalimar; it will stay with me forever.

What surprised you the most about beauty?

Of course, I understand how fashion works, but creating makeup and perfume was a very different experience. The input from the perfumers was fascinating and incredibly educational. It felt like a creative ‘ping-pong’, as I like to call it. What I enjoyed most was the ability to exchange ideas and dreams, to explore the craziest concepts, and to ask ourselves, ‘why not?’ ‘let’s try it,’ and ‘let’s see what happens’. It has been a fantastic journey.

What is inspiring you right now?

The most exciting aspect of the current state of fashion and beauty is the growing emphasis on sustainability and individuality. There’s a movement toward eco-friendly materials and ethical production practices that is positively reshaping the industry. Preserving craftsmanship and prioritising respect for the planet and its people are vital to me. That’s why I create items designed to last – collectible and timeless pieces meant to be passed down through generations. In fashion, we are fully engaged with the evolution of our times, striving to be as sustainable and mindful as possible.

Dries Van Noten Beauty is now available online and in-stores at MECCA in Australia and New Zealand.

PHOTOGRAPHY & COLLAGE Kitty Callaghan

FASHION Hannah Cooper

TALENT Em Stenberg @ IMG, Shaq @ Priscillas

BEAUTY Isabella Schimid @ Assembly Agency using Dries Van Noten Beauty

The post A clash of the unexpected: in conversation with Belgian designer Dries Van Noten appeared first on RUSSH.

At her core, Duckie’s not just breaking boundaries; she’s rewriting the rules. Each appearance, whether on the runway or in campaigns, feels like a statement – one that challenges conventions of beauty and representation. In our inaugural Beauty Annual issue, she brought all of this energy to the forefront, unafraid to experiment with light and shade, both in beauty and in front of the camera.

With her signature presence and fearless attitude, she’s a reminder that the future of fashion is bold, diverse, and unstoppable.

Beauty notes — (Left): CHANEL beauty Ombre Essentielle in Lilas Poudré applied on the lid using a brush, and extended towards the brow. (Right): CHANEL beauty Noir Allure in Rouge Intense is applied to lashes for an unexpected pop of colour. CHANEL beauty Le Vernis in Le Diable en Chanel applied on the nails, with CHANEL beauty Le Gel Coat to seal and protect.

Beauty notes — (Left): Contrasting colours create dimension on the eyes – top lid lined with CHANEL BEAUTY Stylo Ombre Et Contour in Attardecer, and bottom lined in Nuage Bleu.

Beauty notes — (Left): CHANEL beauty Stylo Ombre Et Contour in Dream Leaf applied on the lip using a brush, and CHANEL beauty Les Beiges Water-Fresh Complexion Touch in BR172 applied to the cheekbones.

You can get your own copy of the first-ever RUSSH Beauty Annual on our website now.

PHOTOGRAPHY Tim AshtonFASHION Hannah CooperMODEL Duckie Thot @ Kult AustraliaHAIR Darren Summors @ AP–REPSMAKEUP Victoria Baron @ MAPPHOTOGRAPHER’S ASSISTANT Brett Clarke and Jack BurgessDIGITAL OPERATOR Seok-Ho Yoon

Feature image (right): CHANEL beauty Rouge Allure Velvet in Rouge Feu and CHANEL beauty Ombre Essentielle in Rouge Cosmos applied on the lid using a brush. Using a lipstick as a blush, CHANEL beauty Rouge Coco in Carmen is applied to cheeks.

The post Many Ways To Night Talk: Duckie Thot transforms for our Beauty Annual issue appeared first on RUSSH.

Sometimes, getting ready to go out is better than the night itself. The music, the rituals, time spent on hair, makeup, choosing an outfit… Just ask Natalia Sirotina. The model and creative is a fan of statement eyes, bronzer and beauty circa the 90s. She appreciates a good makeup look, even more so when there’s an entire night outstretched in front of her. Together with YSL Beauty, step into her bathroom while she moves through some after dark makeup looks, and her very best advice for perfecting the art of getting ready.

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Give a nod to the 90s

“My favourite makeup era is the 90s. Matte, bronzed skin, brown or nude lip colours and subtle eye makeup. I feel like it’s timeless.” 

Pay tribute to the supermodel era with a sweep of YSL Beauty All Hours Hyper Bronzer under the cheekbones, the temples and across the forehead. For contrast, brighten the skin with the makeup formula that defined the 90s, Touche Éclat. The concealer-brightener hybrid is creamy and weightless, counteracting darkness and shadows with ease. Use the click-brush applicator and apply around the eyes, the top of the cheeks, the bridge of the nose and cupid’s bow before blending with your fingers or a sponge.

Go for gloss

Nothing beats a good lip after dark. YSL Beauty Loveshine serves up gloss in spades, plus creamy pigment that’s easy to maintain. The innovative formula transforms from a classic lipstick to a wet-look oil, imparting a glassy finish that’s bold but hydrating. It’s enriched with six nourishing oils, as well as fig from YSL’s Ourika Community Garden in Morocco for long-lasting hydration. Natalia loves shade 210, Passion Red.

Focus on the eyes

“The last product that I bought was the trusty Lash Clash Mascara in Brown. It’s perfect.”

Natalia loves a statement eye. Blend shades of pink burgundy and gold on the eyelid and lash line (she’s using the Couture Colour Clutch Eyeshadow Palette in Desert Nude), extending beyond the outer corner. Pair with a Lash Clash in brown for a soft but smoky finish. The iconic mascara formula is formulated with a large conical brush to deliver +200% volume and an all-night smudge-proof finish.

Pay attention to your perfume

The post The art of getting ready with model Natalia Sirotina and YSL Beauty appeared first on RUSSH.

Special barely begins to cover it, but I’ll do my best to recount a week in France with CHANEL beauty below.

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PARIS

I landed in Paris on the Friday evening. I think it’s my sixth time visiting? But I’ll never loose the frisson of excitement for Paris, whether it’s for work, fun, or a combination of the two.

I entertained a late dinner, but exhaustion won and I went straight to bed after a hot shower and some skincare (N°1 DE CHANEL Powder to Foam Cleanser, Revitalising Serum, Rich Revitalising Cream – perfect in cooler climates – Huile de Jasmine and Hydra Beauty Nourishing Lip Care).

Because Parisians are slow to start, Saturday involved a morning walk, coffee and late breakfast, followed by an appointment with Paola Segondi, an osteopath and physiotherapist who specialises in facial anatomy. I’ve had countless facials over the years but this was special; less focused on topical formulas, but instead targeted massage to sculpt, define and release tension. Given the 24 hours of travel, it was heavenly.

After lunch at Boubalé (go for the food and the interiors) we spent the afternoon at the Muséum National d’Histoire Naturelle, guided by botanist Marc Jeanson. Situated in the 5th, it’s home to millions and millions of natural specimens. It’s also incredibly beautiful, fascinating and inspiring — definitely worth a visit. Saturday night looked like drinks at Chateau Voltaire, dinner at Sugaar, and a nightcap at Hotel Costes; if you only have one night in Paris, let this be your itinerary.

The remainder of my weekend was spent shopping, eating, wandering and working. Meals worth sharing include escargot and French fries at L’Avenue, everything at Déviant (a near-perfect candlelit wine bar), Gigi’s for the view and Bistro Paul Bert for a classic bistro lunch. For something low-key, I love Le Mézières, too.

We were due to depart for Biarritz on the Tuesday, but before that, a visit to Gabrielle ‘Coco’ Chanel’s apartment. The 18th century building has been the beating heart of CHANEL since 1918, housing the retail boutique, a couture atelier and her personal residence. While she didn’t sleep there — Coco preferred the Ritz — the apartment is a mecca of iconography and symbolism. Lions (she was a Leo), Camellias and her lucky number ‘5’ are hidden everywhere. It’s been preserved almost exactly as it was when she passed in the early 70s; it even smells like N°5. The dinner parties and creative endeavours that have happened in that apartment are legendary. If only walls could talk! On the way out, we were invited for an extremely quick preview at upcoming pieces for a couture collection. A magical, once-in-a-lifetime type experience.

Eat: Sugaar, Déviant, Gigi’s, L’Avenue and Chez Georges. Don’t miss Bar Hemingway for a drink. 

Shop: CHANEL’s iconic 31 Rue de Cambon boutique. Smith and Son for magazines; Ofr for books. Le Bon Marche is my favourite department store, as well. 

See: I never miss a visit to Musée de l’Orangerie when I’m in Paris. It’s my favourite gallery and small enough to cover in an afternoon. I didn’t have time for Musée Gainsbourg rue de Verneuil, but it’s on my list… Next time! 

1/10   In-flight skincare 

BIARRITZ

We left Paris for Biarritz via train. Manoeuvring my luggage was… interesting (I grossly overpacked) but we made it, joining those visiting from other countries in the process. I’ve caught the Eurostar before – how seamless is the public transport in Europe? – but this journey was especially delightful, likely due to the on-board hand massage ft. CHANEL La Crème Main.

Once we disembarked in Biarritz, we checked into Hotel Du Palais. Overlooking La Grande Plague, it’s as close to heaven on Earth as I can imagine (opulence is a word that comes to mind). The weather was cool, but the beach was beautiful — it was my first visit to Biarritz, and hopefully not the last. A friend had described it as the Byron Bay of France, and I understand the sentiment. There’s a nonchalance about it — a palpable sense of cool – but its not without elegance. It’s great for surfing, sun bathing, people watching and food. I love French food, but its proximity to the Spanish border means there’s an interesting mix of flavours, cooking techniques and wine!

Eat: The hotel! With beauty at every corner, it was hard to leave. The service was impeccable and menu varied. Plus, the dining room has sweeping views of the sea. Champagne at the outdoor bar during sunset is a must, as well. 

See: I ran out of time, but a walk to Rocher de la Vierge (Rock of the Virgin) should be on your list. If you can handle the cold, a swim or surf, as well. 

1/14   The train to Biarritz; not packing light 

The Road to Gaujacq

The preeminent reason we journeyed to Biarritz was to visit Gaujacq, a provencal French village located about an hour of out town (the view of snow-capped Pyrenees on the way was something else). It’s also the home of CHANEL Beauty’s open-sky laboratory. Established by the house in 1998, the open-sky lab serves as a means to study and preserve the Camellia; a flower that was not only Coco’s favourite, but possesses countless skincare benefits. The lab spans 40 hectares, functioning as both an ecological farm and first-of-its-kind research hub. On that note, CHANEL grow all their Camellias in-house; an impressive feat that ensures both consistency and thoughtful cultivation practice. It was harvest when we visited, so the trees were heavy with flowers. Incredible.

We started at Chateau Gaujacq with Jean Thoby, a renowned global Camellia expert. He led us on a tour through the beautiful grounds and explained his work on Camellias — there’s over 2000 varieties globally, many of which they cultivate in Gaujacq. After lunch, we moved on to the open-sky laboratory. It’s a place where science and ancient farming rituals co-exist. It’s also where CHANEL uncovered the properties of the red ‘Czar’ camellia — the key extract that defines the N°1 de CHANEL product line. Incredibly, almost the entire Camellia flower is used within CHANEL skincare (and this extends well beyond N°1 de CHANEL). Water, waxes, antioxidant compounds, distillations and fermented extracts are all used. The pulp is even dried, ground and repurposed as packaging — an extension of CHANEL’s commitment to sustainability.

In its entirety, the day was enlightening and so informative. What CHANEL Beauty is doing in the skincare space, and within beauty in general, is inspiring. They have autonomy over their entire supply chain, a feat that’s all but unheard of. The marriage of science, house codes and ancient plant wisdom is alchemic — it was very special to witness up close.

And if you find yourself in South West France, I highly recommend a day in Gaujacq.

1/7   Chateau Gaujacq 

Shop my travel edit:

N°1 de CHANEL Lip and Cheek Balm in Berry Boost

N°1 de CHANEL Powder to Foam Cleanser

Hydra Beauty Nutrition Nourishing Lip Care

Le Lift Flash Eye Revitaliser

Huile de Jasmin Face Oil

Hydra Beauty Essence Mist

La Crème Main

N°1 de CHANEL Rich Revitalising Creme

N°1 de CHANEL Revitalising Serum

The post Camellias, chateaus and Coco’s apartment: From Paris to Gaujacq with CHANEL Beauty appeared first on RUSSH.

For the pages of our March Life issue, she sizzles in a glowing, sunset palette of cherry reds, plums and pinks for Dior Beauty, while makeup artist Claire Thomson takes us through each look to give us her tips, tricks and advice for achieving Brown’s perfectly undone glamour.

CHRISTIAN DIOR earrings.

Beauty notes – Line lips in DIOR BEAUTY Contour Lip Liner Pencil in 777 ‘Fahrenheit’, and apply DIOR BEAUTY Rouge Dior Lipstick shade 777 ‘Fahrenheit’ in Velvet Finish. Prime the eyes with DIOR BEAUTY Forever Cushion Powder, then apply the lipstick to the eyelids, concentrating in the crease of the eye and blending to achieve the desired effect. Use DIOR BEAUTY Backstage Rosy Glow Blush in 012 ‘Rosewood’ as contour for a modern 70s glam.

Beauty notes — Use the darkest matte shade of DIOR BEAUTY Diorshow 5 Couleurs Eye Palette in 689 ‘Mitzah’ over the lid, then apply the same shade as lips: DIOR BEAUTY Rouge Dior Lipstick shade 818 ‘Be Loved’ in Satin Finish. Try to avoid hard lines and play with the shape, blending out beyond the corners and up to the brow bone.

Beauty notes — The flush of pink all over the eye was created by applying DIOR BEAUTY Forever Cushion Powder, then adding a wash of DIOR BEAUTY Backstage Rosy Glow Blush in 001 ‘Pink’ over the entire lid. This was then layered to add depth. Keep the centre and lower lid sheer to open the eye. Lips were lined in DIOR BEAUTY Contour Lip Liner Pencil in 777 ‘Fahrenheit’, and filled in with DIOR BEAUTY Rouge Dior Lipstick shade 777 ‘Fahrenheit’ in Velvet Finish.

Beauty notes — Continue the drama by blending the colour around the cheek for a gothic beauty. This shape is rounded to soften the contour. Use velvet or matte-finish lipstick, to your preference. Apply DIOR BEAUTY Rouge Dior Lipstick shade 818 ‘Be Loved’ in Satin Finish to the lips in a few layers for extra drama.

CHRISTIAN DIOR top.

Beauty notes — Change up your dramatic eye with DIOR BEAUTY Diorshow 5 Colouleurs Eye Palette in 689 ‘Mitzah’.Trace the entire upper and lower lash line with the darkest shade to add drama, then use the lightest colour in the inner corners and on the centre of the lid. Apply as many coats of DIOR BEAUTY Diorshow Iconic Overcurl Mascara in 090 Noir/Black as you are up for (each layer will edge you closer to 60s/70s goddess.) Keep lips pale, lining with DIOR BEAUTY Contour Lip Liner Pencil in 000 ‘Diornatural’, then fill in with DIOR BEAUTY Rouge Dior Lipstick in 100 ‘Nude Look’ in Velvet Finish.

To experience the Life issue in its entirety, the March edition of RUSSH will be available on newsstands from 29 February and through our shop online. Read more about the inspiration behind the issue in Jess Blanch’s editor’s letter. Wanting to purchase the Life issue in person? Find a stockist near you.

PHOTOGRAPHY Bowen AricòFASHION Charlotte AgnewTALENT Maddison Brown @ The Collective ManagementHAIR Darren Summers @ AP—RepsMAKEUP Claire ThomsonPHOTOGRAPHER’S ASSISTANT Yuliy Gershinky

Cover image credits: (Left) CHRISTIAN DIOR top and earrings. (Right) CHRISTIAN DIOR earrings and necklace.

The post Here’s how to recreate the 5 iconic Dior Beauty looks Maddison Brown donned in our March issue appeared first on RUSSH.

Nyaluak Leth imagines words as keys on a piano and each syllable carries its own vibration. A notion this romantic could only come from the mind of a poet, and in case you still held any doubt, yes, Leth is one such person. Where some poetry is bound to the page, Nyaluak Leth animates verse using the spoken form; her cadence measured, her tone spellbinding. For Leth, a queer, Black woman, poetry is an essential means for self-expression, one she’s honed over the course of a decade.

Although there are many, it’s at this junction that Leth and Clarins best align. Both are devoted to self-expression, be it in the swipe of a bold lip or the written word, but most crucially, Leth and Clarins believe self-expression is an act that can and should improve the world around you. How else can you explain Clarins’ pledge to the environment? A commitment that sees refillable Joli Rouge lipsticks emerge as an option. Here, beauty becomes more than just a wish for oneself, but an intention for the world more broadly.

Wearing the new Joli Rouge collection from Clarins, a range of lipsticks crafted from a nourishing formula of organic camellia oil and shea butter and reintroduced in considered new packaging, Nyaluak Leth spoke to RUSSH. In our conversation below, Leth talks her recent poem for Clarins Joli Rouge, how a teacher’s kindness stands out as her first memory of beauty, and her pre-performance rituals.

What is your first beauty-related memory?

My grade three ESL teacher, who was also a beautiful and powerful South Sudanese woman, would wear a red lip to school everyday. One day I complimented her on the colour and said I wanted to do that too. A week later she gifted me with my very first cherry-flavoured chapstick.

What does beauty mean to you now?

True beauty to me is effortless. It’s a state of being that resonates from your core, that you choose to express on the surface through our speech, actions and adornment of our bodies.

As a poet you have a deep understanding of the power of words. You also learned a second language at 7 years old. What sparked your interest in words, and when did you first realise their potential?

I’ve always seen words/letters like the keys on a piano. Each note holds a different vibration. The more you play with words through different accents and tones you’re able to create a vocal symphony that is unique to your message and who you are.

Can you tell me about the poem you wrote for Clarins Joli Rouge? What was the process like? What part of the Clarins story did you have in mind while creating it?

Clarins believes in making life more beautiful by passing on a more beautiful planet. When writing the poem I thought of the things I found beauty in, and how using my words will be one of my contributions to making this world a better place.

Your poetry doesn’t finish on the page, you then proceed to speak it aloud. How has spoken word poetry allowed you to cultivate your own voice, both as an artist and in your life more broadly?

Poetry to me is an art form, and all art truly is a way of life in its purest form. Expression of self is an important part of my identity; especially as a queer, Black woman. Our voices are needed in society, now more than ever. If I have the platform and opportunity to share my words and experience, I will.

Do you have any rituals before you perform on stage?

I found that over the years there’s no cure for stage fright or nervousness, apart from good preparation. I find myself in front of the mirror, in the car, on the street – literally anywhere, just reciting my poetry before a performance. While I’m doing this I tend to ask myself the question of ‘How would the younger version of myself receive this message?’ Is there even a message? If so, how should I be delivering it? Is my tone too harsh? Am I speaking too fast? Is there a rhythm that’s consistent and easy to follow? 

Clarins believes in beauty with a conscience, which is why they’ve introduced refillable Joli Rouge lipsticks. Does your artform exist for you as a place to inspire, educate or challenge?

All of the above. Nina Simone once said “an artist’s duty, as far as I’m concerned, is to reflect the times” – the world we live in needs to be inspired to create a change through conscious education by challenging the status quo; from justice to economic and environment reform.

When would you wear a bold lip?

Anytime that I feel like it! Date night, premieres and night out on the town with my people.

Clarins Joli Rouge lipstick comes in a variety of vibrant colours. Which one are you drawn to and why?

I love the Joli Rouge 742 in Satin. It allows me to have a subtle pop of colour while also keeping my lips lush.

Who do you admire for their fearlessness?

Any and all women who have created a path for themselves in their chosen field of education, business and accomplished  everything we were once told we couldn’t do.

What’s the best beauty advice you’ve ever received?

Staying hydrated and highly melanated!

Explore Clarins Joli Rouge collection at the brand’s website.

PHOTOGRAPHY Olivia RepaciPHOTOGRAPHY ASSISTANT Arvin Prem KumarFASHION Roy WainainaHAIR Laura MazikanaMAKEUP Yasmin GoonweynMAKEUP ASSISTANT Yasmine KeongTALENT Nyaluak Leth

The post Nyaluak Leth proves there’s beauty in self-expression with Clarins Joli Rouge appeared first on RUSSH.

Lensed by Hannah Scott-Stevenson, makeup artist Cherry Cheung uses Augustinus Bader and Dior Beauty to create Dennis’ look. See the full photo story below.

Model’s own underwear (worn throughout).

Beauty notes — AUGUSTINUS BADER The Essence and The Face Oil; DIOR BEAUTY Lip Glow Oil.

Beauty notes — DIOR BEAUTY Backstage Flash Perfector Concealer; CHANEL BAUME ESSENTIEL Glow Stick in Transparent on the eyelids.

Beauty notes — BURBERRY Effortless Sculpting Stick on the eyes; WESTMAN ATELIER Bonne Brow to define the brows and WESTMAN ATELIER Baby Cheeks for both lips and cheeks.

Beauty notes — JAO Goe Oil on body and nails.

Beauty notes — PAT MCGRATH LABS Sublime Perfection Foundation; BURBERRY Cat Lashes Mascara in Chestnut Brown No.02; BURBERRY Lip Velvet Crush in Rosy Mauve No.85, applied to the centre of lips and blended out to soften the edges.

To experience the Tempo issue in its entirety, the May edition of RUSSH will be available on newsstands from May 18 and through our shop online. Read more about the inspiration behind the issue in Jess Blanch’s editor’s letter, and get to know our cover star, Adit Priscilla, through our exclusive model profile. Wanting to purchase the Tempo issue in person? Find a stockist near you.

PHOTOGRAPHY Hannah Scott-Stevenson

FASHION Hannah Cooper

MODEL Mia Dennis @ Bella Management

HAIR Kyye @ AP—REPS using Oribe

MAKEUP Cherry Cheung @ Vivien’s using Augustinus Bader and Dior Beauty

PHOTOGRAPHER’S ASSISTANTS Josh Carr-Hummerston and Georgia Tillman

STYLIST’S ASSISTANT Kirsten Humphreys

The post Mia Dennis graces the beauty cover of our ‘Tempo’ issue, a celebration of those dewy, gentle morning hours appeared first on RUSSH.

No. 1 de Chanel reimagines the spirit of Gabrielle Chanel through a curated skincare and makeup range with products designed to both treat and enhance modern skin. From the beginning of the House’s history, Chanel has been inspired by the raw energy of nature, perhaps a reason why Gabrielle selected the camellia as her signature, going on to become an icon of Chanel.

Born amongst the greenery of crimson fields in France, the range is an intuitive line at the heart of the House’s 100-year history underscored by the camellia. Across the last 25 years, the House’s laboratories have researched the story of the flower, learning about their strength and abilities to perform under pressure.

CHANEL Coco Crush Fine Jewellery earrings.

Beauty notes —

No. 1 de CHANEL Powder to Foam Cleanser.

Beauty notes —

No.1 de CHANEL Revitalising Serum in Mist.

CHANEL Coco Crush Fine Jewellery earrings. Opposite: CHANEL Coco Crush Fine Jewellery earrings. 

Beauty notes —

No.1 de CHANEL Revitalising Serum and No.1 de CHANEL Revitalising Eye Cream.

CHANEL Coco Crush Fine Jewellery earrings. Opposite: CHANEL Coco Crush Fine Jewellery earrings. 

Through millions of years of evolution, the red camellia’s longevity and revitalising properties are a feat of nature, with petals that stave off frost and continuing to defy the elements in the most testing of conditions. It is at the heart of the formulation of the nine-product series.

No. 1 de Chanel prepares and reinvigorates the natural vitality of skin, with each step anchored by camellia extract, with the range consisting of: a cleanser, serum, lotion, cream, eye cream, serum mist, fragrance mist, foundation and lip and cheek balm.  Employing 76 per cent camellia derivative, the House uses the whole plant from its crimson petals through to its waxy leaves in an effort to minimise waste.

Beauty notes —

Beauty: No. 1 de CHANEL Revitalising Cream and No.1 de CHANEL L’Eau Rouge Revitalising Fragrance Mist.

Beauty notes —

No.1 de CHANEL L’Eau Rouge Revitalising Fragrance Mist.

CHANEL Coco Crush Fine Jewellery earrings. Opposite: CHANEL Coco Crush Fine Jewellery earrings. 

Enjoy a moment on set with model Tatyana Perry and Chanel’s coveted No. 1 de Chanel offering, below.

Experience the 100th issue in its entirety this May, available on newsstands from May 19 and through our online shop. Find a stockist near you.

PHOTOGRAPHY Tim Ashton @ After Winter AgencyFASHION Hannah CooperMODEL Tatyana Perry @ Kult AustraliaHAIR Kyye @ AP-REPS using OribeMAKEUP Victoria Baron @ M.A.P using Chanel BeautyPHOTOGRAPHER’S ASSISTANT Bananas ClarkeDIGITAL OPERATOR Seok-Yoon

The post So I rise: Chanel’s red camellia takes over in ‘RUSSH’ 100 appeared first on RUSSH.